Amalgams – a name for my methodology of combining different pieces of my work (see Singulars) into installation systems. These installations activate combined works by eroding and distorting their individual contexts, fragmenting and complicating them beyond linear, singular coherence. Through this, Amalgams focus on embodying the contemporary “dominant structure of feeling” rather than a single idea.
Flatlands (2026)
(Amalgam no. 004)
Approx. 4 x 4 x 10 m – reconfigurable
Print on vinyl, video, Red Bull cans, jerrycans, stainless steel chain, stainless steel O-rings, cables, candles, duct tape, bleach, acetone, alcohol ink, acrylic spray paint, acrylic paint, enamel paint, grout, liquid latex, pencil, permanent marker
Amalgamation of:
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Everdance (2026)
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Locket (2026)
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The Manual (2026)
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Worldgorger (2026)
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Always Perpetual (2025)
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CRASH (2024)
“Flatlands” is a crypt-chapel of (non)living. This circulatory temple-system is concurrently the place of worship and the object of worship – a closed loop of infinite positive reinforcement.
Is it possible to find transcendental truths among this ever-flowing inertness? Or do they require an organic, thinking transmitter to manifest?
Flatlands (2026)
(Amalgam no. 004)
Approx. 4 x 4 x 10 m – reconfigurable
Print on vinyl, video, Red Bull cans, jerrycans, stainless steel chain, stainless steel O-rings, cables, candles, duct tape, bleach, acetone, alcohol ink, acrylic spray paint, acrylic paint, enamel paint, grout, liquid latex, pencil, permanent marker
Amalgamation of:
-
Everdance (2026)
-
Locket (2026)
-
The Manual (2026)
-
Worldgorger (2026)
-
Always Perpetual (2025)
-
CRASH (2024)
“Flatlands” is a crypt-chapel of (non)living. This circulatory temple-system is concurrently the place of worship and the object of worship – a closed loop of infinite positive reinforcement.
Is it possible to find transcendental truths among this ever-flowing inertness? Or do they require an organic, thinking transmitter to manifest?
Always Transient, Always Perpetual (2026)
(Amalgam no. 003)
Approx. 2,5 x 2,5 x 2 m – reconfigurable
Print on vinyl, print on plexiglass, video, Red Bull cans, moquette, candles, yoga blocks
Amalgamation of:
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DRIVE (2026)
-
Always Perpetual (2025)
-
Always Transient (2025)
Before you, an Altar to interconnectedness stands. An altar fit for the contemporary global village, where the personal is being liquefied in the digital soup of endless transmitting and receiving data. This act of connecting has taken on a spiritual purpose, but its aim is not to connect to a higher power; rather, it’s about the act itself.
Always Transient, Always Perpetual (2026)
(Amalgam no. 003)
Approx. 2,5 x 2,5 x 2 m – reconfigurable
Print on vinyl, print on plexiglass, video, Red Bull cans, moquette, candles, yoga blocks
Amalgamation of:
-
DRIVE (2026)
-
Always Perpetual (2025)
-
Always Transient (2025)
Before you, an Altar to interconnectedness stands. An altar fit for the contemporary global village, where the personal is being liquefied in the digital soup of endless transmitting and receiving data. This act of connecting has taken on a spiritual purpose, but its aim is not to connect to a higher power; rather, it’s about the act itself.
Extending Towards The Zenith (2026)
(Amalgam no. 002)
Approx. 70 x 70 cm – reconfigurable
Print on plexiglass, video, cable extension cord, duct tape, stainless steel chain, stainless steel O-rings, hemp string, drawing ink, bleach, acrylic spray paint, PVA glue, acetone, grout
Amalgamation of:
-
DRIVE (2026)
-
Locket (2026)
-
Mutation (2026)
In the pursuit of achieving the post-human daydreams of surpassing organic limitations, the contemporary body is being rewired by ideological, chemical and technological conditions. But as the networked consciousness fervently tries to extend toward the zenith, the flesh remains locked behind a glossy plastic prison, like a product ready for purchase.
Extending Towards The Zenith (2026)
(Amalgam no. 002)
Approx. 70 x 70 cm – reconfigurable
Print on plexiglass, video, cable extension cord, duct tape, stainless steel chain, stainless steel O-rings, hemp string, drawing ink, bleach, acrylic spray paint, PVA glue, acetone, grout
Amalgamation of:
-
DRIVE (2026)
-
Locket (2026)
-
Mutation (2026)
In the pursuit of achieving the post-human daydreams of surpassing organic limitations, the contemporary body is being rewired by ideological, chemical and technological conditions. But as the networked consciousness fervently tries to extend toward the zenith, the flesh remains locked behind a glossy plastic prison, like a product ready for purchase.
Conflux (2026)
(Amalgam no. 001)
Approx. 150 x 200 cm – reconfigurable
Print on canvas, video, Red Bull cans, duct tape, cable extension cord, metal chain, media player, USB drive, bleach, drawing ink, tea, blood, tissues
Amalgamation of:
-
Map of Transmutation (2026)
-
CRASH (2024)
Circulation of intensity explodes outwards through human fingers, fingers that desperately try to create a map of something that’s not really there anymore. Gone in the blink of an eye.
Conflux (2026)
(Amalgam no. 001)
Approx. 150 x 200 cm – reconfigurable
Print on canvas, video, Red Bull cans, duct tape, cable extension cord, metal chain, media player, USB drive, bleach, drawing ink, tea, blood, tissues
Amalgamation of:
-
Map of Transmutation (2026)
-
CRASH (2024)
Circulation of intensity explodes outwards through human fingers, fingers that desperately try to create a map of something that’s not really there anymore. Gone in the blink of an eye.